Although the first X-Men film was shot in Toronto, the following three films in the franchise have all brought their … More
Category: Film
Scene Location: ‘Fantastic Four’ (2005)
According to the Marvel Universe, the most prominent buildings of New York City are all inhabited by superheroes. The Fantastic … More
Scene Location: ‘Rumble in the Bronx’ / ‘Hung Fan Kui’ (1995)
As a part of the Canadian ‘Hollywood North’, Vancouver is an attractive place to shoot ‘American’ feature films because it … More
Review: ‘Metropolis’ (1927)
Metropolis is both an extravagant cinematic sci-fi classic and a cautionary tale about the whims of commercial taste: it cost … More
Critique: ‘The Jazz Singer’ (1927)
Whilst The Jazz Singer can be categorised as a musical, the film is a Hollywood landmark for the talking that … More
Critique: ‘Gone With the Wind’ (1939)
Even before one considers the details presented by the labyrinthine plot, Gone with the Wind is an epic Hollywood film … More
“I let you be a part of my movie”: Christopher Molitsanti and the Reflexive Development of the Gangster Genre in ‘The Sopranos’
In analysing early gangster films, John McCarty and David E Ruth both describe how the actual and fictional Gangsters of … More
Book Review: ‘Independent Cinema’ by D.K. Holm & ‘Declarations of Independence: American Cinema and the Partiality of Independent Production’ by John Berra
Holm’s Independent Cinema is a slight book at 158 pages and so, whilst it may not cover the ground of … More
Hitchcock’s Final Steps on the Path to Destruction
“Once a man commits himself to murder, he will soon find himself stealing. The next step will be alcoholism, disrespect … More
Critique: ‘Trees Lounge’ (1996)
Steve Buscemi’s first directorial and screenwriting outing trades on the one thing that we know about Steve Buscemi: that he … More
Critique: ‘Public Access’ (1993)
Bryan Singer is best known as the director of The Usual Suspects (1994), and the superhero epics X-Men (2000) and … More
Critique: ‘Spanking the Monkey’ (1994)
The central conceit of David O Russell’s debut feature that will stay with you after watching the film is that … More